Introduction to Japanese animation - Boris Ivanov

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Introduction to Japanese animation

Additional information

I. Introduction 3
II. Introduction 5
III. Ancient Japan 8
III.1. Consumer Culture 8
III.2. Shinto 10
III.3. The emergence of writing 11
III.4. Buddhism 13
III.5. Early Japanese aesthetics 14
III.6. Period strife 17
III.7. Edo period 19
III.8. Conclusion 21
IV. New Japan (1853-1959) 22
IV.1. The advent of European culture 22
IV.2. The advent of the anime 24
IV.3. Manga in 1920 24
IV.4. Anime 1920 26
IV.5. Times militarism 27
IV.6. World War II 30
IV.7. The occupation of Japan 32
IV.8. Returning to civilian life 33
IV.9. The heyday of the manga 35
IV.10. Conclusion 37
V. New Japanese animation (1960 - 1970) 39
V.1. Tezuka and anime appearance 39
V.2. First syonen-42 series
V.3. Birth shoujo anime 44
V.4. Anime end of 1960 46
V.5. Conclusion 48
VI. Classic 1970 (1970 - 1979) 49
VI.1. The era of television 49
VI.2. "Girls sorceress" 50
VI.3. "Big robots" and valiant young men 54
VI.4. Not just the "right" 60 heroes
VI.5. Children's movies and TV series 61
VI.6. Summarizing 64
VII. Start of "Golden Age" (1980-1985) 66
VII.1. The new generation of viewers 66
VII.2. "Space Opera" and some music 67
VII.3. Development fi comedy 69
VII.4. The new format - video Anime 71
VII.5. Full-length animation 72
VII.6. Other achievements 75
VIII. Otaku come into play (1986-1989) 78
VIII.1. Introduction 78
VIII.2. The development of a full-length anime 78
VIII.3. On the issue of otaku 80
VIII.4. Video and Cyberpunk 81
VIII.5. Significant series 84
VIII.6. Simple Japanese life 86
VIII.7. A little bit about sex 87
VIII.8. Other achievements 88
IX. Anime of the 1990s (1990-1994) 90
IX.1. New stylistic nuances 90
IX.2. Girls come forward 91
IX.3. Pretty girl for strange men 94
IX.4. Fantasy and its rise in the 1990s 98
IX.5. Cyberpunk 99
IX.6. Anime games for 100
IX.7. Mystery and History 101
IX.8. Other achieving 103
X. New masterpieces (1995-1997) 105
X.1. Introduction 105
X.2. TV Shows "not for everyone" 105
X.3. Sёdze anime-109
X.4. The new generation of OVA 113
X.5. Feature 117 masterpieces
X.6. Children's TV Shows 121
X.7. Conclusion 121
XI. Basic types and genres of anime 123
XI.1. Introduction 123
XI.2. Gender and age division Anime 123
XI.3. Anime code 124
XI.4. Shounen anime-125
XI.5. Shoujo anime 127
XI.6. Features graphics anime 129
XII. Conclusion 133
Apps
I. Terminology 135
II. Transcription of Japanese 137
II.1. Definitions 137
II.2. Conversion Rules 138
II.3. Hepbernovskaya system 139
II.4. H and 139 M
II.5. Designation vowel 140
II.6. On the issue of incorrect transcription 140
III. Japanese myths Heroes 142
III.1. People 142
III.2. Mythological creatures 146
III.3. Pets werewolves (Hengeёkay) 152
IV. Brief biographies of 155
IV.1. Yoshitaka Amano 155
IV.2. Hideaki Anno 157
IV.3. Yuu Watase 158
IV.4. Studio "GAYNAKS" 159
IV.5. Studio "Ghibli" 160
IV.6. Yoshida Brothers 161
IV.7. Riёko Ikeda 162
IV.8. Kunihiko Ikuhara 164
IV.9. Studio "Production IG" - ING 165
IV.10. Shotaro Isinomori 166
IV.11. Yoko Kanno 167
IV.12. Group "clamp" 168
IV.13. Leydzi Matsumoto 169
IV.14. Hayao Miyazaki 170
IV.15. Studio "Medhaus" 172
IV.16. Go Nagai 173
IV.17. Mamoru Oshii 174
IV.18. Katsuhiro Otomo 175
IV.19. Rintaro 176
IV.20. Masamune Shiro 177
IV.21. Rumiko Takahashi 178
IV.22. Isao Takahata 179
IV.23. Naoko Takeuchi 180
IV.24. The studio "Tatsunoko" 181
IV.25. Osamu Tezuka 182
IV.26. Akira Toriyama 184
IV.27. Megumi Hayashibara 185

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